'VINTERSAGA' PÅ DR2

I morgen aften, den 23. april, vises Carl Olssons dokumentar ‘Vintersaga’ på DR2 kl. 23.10.

‘Vintersaga’ er en hyldest til den svenske melankoli, og som Bo Green Jensen skrev i Weekendavisen: “Her er intet problem at belyse. Bare følelsen af liv, der bliver ved.”

Car Olssons dokumentar vil ligeledes blive tilgængelig på DRTV, hvor den kan streames, lige når det passer dig.

A SILENT STORY WINS THE CINEFEMME AWARD AT MILLENIUM FILM FESTIVAL IN BRUXELLES

Anders Skovbjerg Jepsen’s ‘A Silent Story’ won the CinéFemme jury award for the most creative and committed film in the international competition at Millenium Festival in Bruxelles.

The jury's statement: The CinéFemme Jury awarded its prize to a courageous film which, with modesty and sensitivity, evokes an all-too-familiar subject by breaking the silence of shame and guilt. A film that opens the way to healing. 

'OUTSIDE' WINS THE JAPAN PRIZE AWARD OF HONOR

Exciting news! Olha Zhurba’s Outside (2022) wins the Award of Honor in the Lifelong Learning Division of the 2023 Japan Prize. The goal of the prize is to contribute to the quality of educational content worldwide, and it honors works that inspire people to learn.

‘Outside’ is a documentary film about 13-year-old Roma, a street kid turned poster boy for the Ukranian Revolution in 2014. At age 18 he struggles with the challenges of facing a future that might already have been decided for him. The film is produced by Moon Man and co-produced by Tangerine Tree and Final Cut for Real.

All award winners are invited to Tokyo to present their works on The Japan Prize Festival that will run this November 20th-23rd.

If you haven’t watched the film yet, you’ll get the chance on Wednesday when Danish TV channel DR2 is broadcasting it.

'OUTSIDE' WINS HUMAN RIGHTS FILM FESTIVAL BERLIN COMPETITION

We are very proud to announce that the film ‘Outside’ directed by Olha Zhurba has won the Willy Brandt Documentary Film Prize at Human Rights Film Festival Berlin!
The film is produced by Darya Bassel and Viktoria Khomenko at Moon Man, in co-production with Anne Köhncke and Monica Hellström from Final Cut for Real and Willem Baptist and Nienke Korthof from Tangerine Tree.

The jury’s motivation is as follows:
”This film is bringing someone from the outside of society into the center. The film is also about loneliness, about lostness and about a neglected boy who turns into a young man in Ukraine. His story touched us in a deeply emotional way. His story stayed in our minds; we could not escape it. We were asking ourselves questions, some of them uncomfortable ones. Why are there people and groups of people, who seem to always stay outside the doors of their societies? How personal can a filmmaker’s relationship with her protagonist get? Is there a red line? But isn’t it precious that these films raise such important questions?
We think yes, absolutely.
Moreover, we would like to praise not only the storyline but the whole art of directing of the filmmaker, that lives up to the high standards of documentary filmmaking. The access to the main character and his family members is incredible, the camera is nearly forgotten.”

Click here to see the rest of the award winners.

FOUR FILMS PRESENTED IN HOTDOCS' NORDIC PROGRAMME

It is our great pleasure to announce that we have four films screening at the HotDocs film festival, all of which will be part of the Nordic Bridges programme. These include: “A House Made of Splinters” directed by Simon Lereng Wilmont; “The Killing of a Journalist” directed by Matt Sarnecki; “Our Memory Belongs to Us” directed by Rami Farah; and “Outside” directed by Olha Zhurba. You can read more about each of them, including tickets and streaming info, below:

‘A House Made of Splinters,’ directed by Simon Lereng Wilmont and produced by Monica Hellström, follows three children at a temporary shelter, as war-torn Ukraine leaves devastating and enduring marks on the population. Through the eyes of kids, the film depicts a personal, tender, and simultaneously tragic and hopeful story about lives in limbo. Gorgeous, patient camerawork respects the children's vulnerability but expertly detects the unmistakable normalisation of violence in their desperate play, temporary friendships and fragile family connections. 

‘The Killing of a Journalist’, directed by Matt Sarnecki and produced by Signe Byrge Sørensen, explores the brutal murder of the Slovakian investigative journalist Ján Kuciak and his fiancée Martina Kušnírova. Their deaths inspire the biggest protests in Slovakia since the fall of communism. When prosecution efforts turn up honey-pot schemes, paid assassins and dubious political appointees instead of delivering justice, democracy itself may not survive in one of the European Union's most jaw-dropping corruption scandals

“Our Memory Belongs to Us” directed by Syrian filmmaker Rami Farah and produced by Signe Byrge Sørensen, Liana Saleh and Anne Köhncke, reunites citizen journalists Yadan, Odai and Rani in an empty theatre to watch smuggled footage on the big screen nearly 10 years after the beginning of the Syrian revolution. Together, they revisit the events, people and places that changed the trajectory of their lives. How does one survive - by forgetting or by remembering? Building to a shattering crescendo, this collective memory exercise provides a corrective history and chronology for the revolution that was reframed as a civil war by a dictator who preferred to displace over six million people rather than be deposed — and is confirmation that people must tell their own stories.

“Outside” directed by Olha Zhurba, produced by Darya Bassell and Viktoria Khomenko for Moon Man and co-produced by Anne Köhncke and Monica Hellström for Final Cut for Real, follows 13-year old Roma, an abandoned street kid adopted by random soldiers in Kyiv’s Independence Square during Ukraine’s Maidan Uprising. But when the media and military encampments cleared out, he was again discarded, this time to an orphanage. At 18, with just a knife and a lighter in his pocket, can he possibly take control of his life? Security footage, heartbreaking phone calls and chance meetings populate this expertly layered study of a lost soul who belongs to no one and has nowhere to go.

The Nordic Bridges programme is a year-long initiative led by Toronto’s Harbourfront Centre fostering cultural exchange between the Nordic Region and Canada. Working with partners across Canada, Nordic Bridges presents multidisciplinary contemporary art, culture and ideas throughout the year. 

To read more about the HotDocs film festival, online streaming or how to secure a ticket, click here.

'PRESIDENT' SHORTLISTED FOR FEATURE DOCUMENTARY ACADEMY AWARD

We are so overjoyed and grateful that Camilla Nielsson’s documentary film President has been shortlisted for the Feature Documentary Academy Award.

The shortlist contains 15 films, which will be narrowed down to 5 nominated films on February 8, 2022, and the 94th Academy Awards Ceremony will take place on March 27, 2022.

So we’ll keep our fingers crossed for the next couple of months!

President is produced by Signe Byrge Sørensen for Final Cut for Real, and Joslyn Barnes for Louverture Films (US). The film is co-produced by Anne Köhncke and Anita Rehoff for Sant & Usant (NO) for Sant & Usant (NO).

Executive Producers are Thandiwe Newton, Susan Rockefeller, Danny Glover and Tone Grøttjord-Glenne.

The film is produced with the support of The Danish Film Institute, Danida, International Media Support, EU’s Media Program Creative Europe, The Norwegian Film Institute, Fritt Ord, Nordisk Film og TV Fond, Enterprise Fund, Ford Foundation, Bertha Foundation, Sundance Documentary Program, DR, SVT, NRK, ZDF Arte, BBC, VPRO, ERR, RTV & Ceska TV.

Read more about ‘President’ here.

Click here to see the full shortlist announcement

'RAISING A SCHOOL SHOOTER' & 'FLEE' NOMINATED FOR BEST NORDIC DOCUMENTARY AT NORDISK PANORAMA

Raising and School Shooter by Frida & Lasse Barkfors and Flee, by Jonas Poher Rasmussen are among the 14 Nordic films selected to compete for the Best Nordic Documentary Award at Nordisk Panorama 2021. The festival takes place 16. - 21. September in Malmö, Sweden, and is a major event for the Nordic documentary industry.

Flee was selected for Cannes 2020, and premiered at Sundance in January 2021, where it won the Grand Jury Prize, and has since then won several awards.

Raising and School Shooter premiered at CPH:DOX in April 2021, and is the third film in Frida & Lasse Barkfors’ trilogy on social stigma, following “Pervert Park” and “Death of a Child”.

Click here to read more about the festival and to see the full programme.

FINAL CUT FOR REAL JOINS DIGITAL VERSION OF CPH:DOX 2020

Final Cut for Real is delighted to join the digital version of CPH:DOX this year with a collection of compelling titles!

The following three works will be presented both in and out of competition.

 
SONGS OF REPRESSION by Estephan Wagner & Marianne Hougen-Moraga

The film follows a small German colony in Chile that was once founded as a sectarian settlement and now operates as a beautiful tourist resort. It explores how the inhabitants have developed different narratives in order to cope with the grim and traumatic past.

See online here.

The film is selected for CPH:DOX main competition and Politikens competition for Best Danish Documentary. 

MEANWHILE ON EARTH  by Carl Olsson

When we die, there are still practicalities that need to be taken care of before our time among the living is finally over. The film is a patient and heartfelt portrayal of the Swedish funerary industry, filled with peculiar yet wholehearted rituals.

See online here.

 
LITTLE GIRL by Sébastien Lifshitz

A common myth is that trans identity manifests itself quite late, when in fact it starts to appear at a very early stage of life. Little Girl tells a story of a little boy, who refuses to be a little boy – to conform to what the sex he was born as expects from him. 

See online here.

Don’t miss this chance – witness the world / hear from the filmmakers / get engaged with us!

Looking forward to sharing this with you!

FILMS AVAILABLE FOR SCREENING AT DRTV

We are happy to announce that a selection of films produced by Final Cut for Real are now available for screening at DRTV. The films are listed below and accompanied by a link to DR’s website. Enjoy!

Content on DRTV can only be accessed in Denmark.

The Distant Barking of Dogs

The Distant Barking of Dogs is director Simon Lereng Wilmont's first feature. It is set in Eastern Ukraine on the frontline of the war. The film follows the life of 10-year-old Ukrainian boy Oleg throughout a year, witnessing the gradual erosion of his innocence beneath the pressures of war. Through Oleg’s perspective, the film examines what it means to grow up in a war zone. It portrays how a child’s universal struggle to discover what the world is about grows interlaced with all the dangers and challenges the war presents.

The Act of Killing

Joshua Oppenheimer's Oscar nominated documentary The Act of Killing, explores the massive genocide that took place in Indonesia in the 1960s from the perspective of the perpetrators. The government of Indonesia was overthrown by the military in 1965, and more than a million people - communists, people of Chinese descent and intellectuals were executed. The movie is set in the city Medan on the island Sumatra. Here the filmmakers challenge the death squad leaders to dramatize how they participated in the genocide. The result is a surreal cinematic journey into the mass murderers ideas and fantasies about themselves and their victims. Simultaneously the movie presents us to a frightening and extremely corrupt regime, where the murderers have faced no judgement but instead are celebrated as heroes.

The Look of Silence

The Look of Silence, is a companion piece to The Act of Killing, The film follows a young optometrist as he attempts to bring the past into focus. The family discovers how their son was murdered during the Indonesian genocide - as well as the identity of the men who murdered him. The film documents the confrontation in the absence of any truth and reconciliation process, while the murderers remain in power.

Pervert Park

Pervert Park by Frida and Lasse Barkfors, is a film about the people no one wants as a neighbour. It follows the every day life of the sex offenders in a Florida trailer park as they struggle to reintegrate into society, and gives us a chance to understand who they are and how the destructive cycle of sexual abuse and silence can be broken.

Death of a Child

Death of a Child is Frida and Lasse Barkfors’ second film in a trilogy exploring social stigma. Pervert Park was the first. It is an exploration of the lives of parents who have caused their own children’s deaths. The film encompasses many different situations in life where tragedy hits and where someone is at fault, because of mistakes, accidents, neglect or mental illness. There is however something with what these parents have done that seem to trigger a specific social rage and condemnation. Because what kind of parent forgets a baby in a car?

Land of the Free

Land of the Free, directed by Camilla Magid, is a moving portrayal of life after prison in the US. In South Central, Los Angeles, we follow Brian, a 42-year-old man, just released after having spent his whole adult life in prison. On his own, he must adapt to a modernised and changed society. He has to tackle the challenges of the Internet, getting a driver's license, and finding love. The film tackles hard hitting cultural issues and works to show the humanity in a deeply troubling environment where the prison industrial system often targets and holds back people of color.

Håbet bag hegnet / Les Sauteurs

Les Sauteurs, a film directed by Estephan Wagner and Moritz Siebert in collaboration with the film's protagonist Abou Bakar Sidibé, is ultimately a film about making a film. It is Abou's portrayal of the human struggle for dignity and freedom on one of the World's most militarised frontiers. In northern Morocco lies the Spanish enclave of Melilla: Europe on African Land. On the mountain above live over a thousand hopeful African migrants, watching the land border, a fence system separating Morocco and Spain. Abou from Mali is one of them - the protagonist in front of the camera, as well as the person behind it. For over a year, he has ceaselessly persisted in attempting to jump the fence.